August 14, 2018

The Pineapple Thief Release New Single & Video For "Try As I Might" Taken From Their Forthcoming Album Dissolution


The Pineapple Thief  have launched their brand new video for “Try As I Might”, the new single from their forthcoming new studio album Dissolution. The highly anticipated follow up to 2015’s Your Wilderness, is the band’s second album to feature King Crimson and Porcupine Tree drummer Gavin Harrison.

Vocalist, songwriter and guitarist Bruce Soord explains his dystopian view “The video follows the theme of the song and the album - if you sign up to this hyper connected world we live in, then you have to live with the consequences. Try as you might to get out of it.”

WATCH THE VIDEO FOR “TRY AS I MIGHT” HERE


The futuristic clip was created by Blacktide Phonic/Visual (www.black-tide.co.uk) director George Laycock, who expands on how he created the film “When The Pineapple Thief came to me with their track ‘Try as I might’, they had a broad basis for an idea for a music video that dealt with a social media obsessed 'connected' world.

This had nods to previous films and television like ‘The Truman Show’, ‘Black Mirror’, the ‘Big Brother’ landscape and its preceding shows, so it was about creating a storyline using these broad influences and encapsulating into an obscure 3 minute film on a budget.

I was interested in the concept of ‘in eye cameras’, scary technology I am sure isn’t too far away from us. We decided to go down the optical medical route and follow our character on a journey from first pre-operation, to surgery, recovery and then trying to battle the decision he has made, whilst battling with the corporation he has signed up too. The film hopefully leaves the viewer to create their own conceptions on his outcome.

We filmed it all on the Dorset/Devon coastline around where I live and were fortunate to be able to secure great locations to shoot in with a few favours, including a remote seaside post-modern house, a private beach and a real working hospital and opticians.

To keep the cast down to a minimum I decided that the camera that is watching Bruce would become the main supporting actor and his nemesis, appearing in scenes without anyone operating it. This allowed us to see the cameras point of view and tell the story to the fictional viewer. This old broadcast camera weighed an absolute ton, and carrying through remote woods, down a mile-long steep cliff path to a beach was a challenge on some of the hottest days of the year. Filming in the water at the end was a welcome refreshment. 

Many thanks to all those who helped with the film, especially everyone involved at Yeovil hospital for allowing us such amazing access, and to Bruce for being so amenable about having scalpels inches from his eyeball.”

The Pineapple Thief have grown to become one of the leading lights of Europe’s experimental rock domain, Your Wilderness produced 4m+ album streams, a #7 in the UK Independent Charts and two extensive headline European tours culminating at London’s Islington Assembly Hall where the concert was recorded for the live release Where We Stood, and their new album Dissolution promises to propel the band to even greater heights.



Dissolution tracklisting
Not Naming Any Names [02:05]
Try As I Might [04:26]
Threatening War [06:37]
Uncovering Your Tracks [04:29]
All That You've Got [03:27]
Far Below [04:36]
Pillar of Salt [01:25]
White Mist [11:05]
Shed A Light [05:20]

Dissolution will be released in the following formats – all available to pre-order now HERE https://thepineapplethief.lnk.to/DissolutionPR
CD
Black LP –pressed to audiophile 180g vinyl
Limited Edition Crystal Clear LP edition - pressed to audiophile 180g vinyl
Blu-ray – features a 16-page booklet, the album plus bonus music in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio
Deluxe 4 disc edition - features 52 pages containing exclusive additional artwork, the original album on CD plus a second CD of bonus music, and is topped off with a DVD and Blu-ray featuring the album and bonus material in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio.
All digital & streaming platforms 

The Pineapple Thief will be taking Dissolution on the road starting in September 2018, with new dates added for March 2019. This tour includes their biggest show to date at London’s prestigious O2 Shepherd’s Bush Empire – tickets are on sale now and selling fast: http://www.pineapplethief.com/tour/ ;

The Pineapple Thief – Dissolution Tour 2018/2019
Sep 15 – FR – Paris - La Maroquinerie
Sep 16 – BE, Brussels-  La Madeleine
Sep 17 – DE, Bremen - Schlachthof
Sep 18 – DE, Hanover - Musikzentrum
Sep 19 – DE, Berlin - Lido
Sep 21 – PL, Warsaw - Stodola
Sep 22 – CZ, Olomouc - S-Klub
Sep 23 – CZ, Prgaue - Rock Cafè
Sep 25 – AU, Wien - Szene
Sep 26 – DE, Munich - Backstage Werk
Sep 27 – DE, Aschaffenburg-  Colos-Saal
Sep 28- DE, Cologne - Live Music Hall
Sep 29 – NL, Amsterdam – Melkweg
Oct 4 – UK, Edinburgh – Liquid Rooms
Oct 5 – UK, Sheffield – Leadmill
Oct 6 – UK, London – O2 Shepherds Bush Empire

2019
Feb 22 - IT, Roma - Largo Venue
Feb 23 - IT, Milano - Santeria Social Club
Mar 3 - DK, Copenhagen - Vega
Mar 5 - SE, Stockholm - venue tba
Mar 6 - NO, Oslo - John Dee


(photo credit James Cumpsty)

The Pineapple Thief are:
Bruce Soord – vocalist, guitarist, composer
Gavin Harrison – drums
Jon Sykes – bass
Steve Kitch - keyboards

The Pineapple Thief online:
Website: www.thepineapplethief.com
Facebook: www.facebook.com/thepineapplethief
Twitter: www.twitter.com/pineapplethief
Instagram: www.instagram.com/thepineapplethief
Spotify: https://play.spotify.com/artist/4lrBMUSk8PiNnCEZfsmPAk
YouTube: https://www.youtube.com/playlist?list=PLE6401DB011BD837E
Apple Music: https://itunes.apple.com/gb/artist/the-pineapple-thief/id278648772

Kscope: 1st floor, 52 Lisson Street, London, UK NW1 5DF

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

August 6, 2018

King Crimson To Release "Meltdown In Mexico" - Live In Mexico City 2017


Three CDs feat. over three and a half hours of material performed during the band's five nights residency at Teatro Metropolitan, Mexico City in July 2017 & audio extras!

This 3CD/1Blu-Ray set features over three and a half hours of material performed during King Crimson's five night residency at Teatro Metropolitan, Mexico City in July 2017 plus audio extras. The Blu-Ray contains over two hours of multi-camera HD recorded footage, audio soundtrack in 24/48 LPCM, hi-res stereo and 5.1 DTS HD-MA (with 'picture off' mode allowing the music to be heard independently in lossless audio).

Meltdown in Mexico includes, for the first time with this line-up, audio recordings of “Breathless,” “Discipline,” “Moonchild” and Tony and Jeremy's nightly Cadenza improvs. Mixed by King Crimson member Bill Rieflin from full multi track recordings


King Crimson Mexico 2017 - photo by David Singleton

King Crimson is a band that continues to defy conventional expectations. As listeners to last year's rush-released official bootleg from June 2017 recorded in Chicago discovered, this band gets better by the year. Given the amount of rehearsals, practicing, constantly expanding repertoire base (nearly six hours' worth of material ready to select from on any given night), wealth of experience among musicians, technicians/sound crew, more comfortable traveling arrangements, better PA systems/mixing desks & the fact that the band is playing, for the most part, in purpose built theatres rather than the more imaginatively named but sonically challenged venues that hosted rock gigs in previous decades, this should come as no surprise. But it does. Perhaps it’s still part of the Rock 'n' Roll myth – the “hope I die before I get old” thought process that seems forever associated with rock music that's proved so difficult to alter. Whatever the reason, the concept of a band maturing, re-inventing itself and being able to present music from a lengthy history in recognizable but ever-changing ways, still with same sense of wonder as if it were newly-written, remains, if not unique, certainly notable.

A few weeks after the Chicago concert, the first part of 2017's tour reached its final destination – five nights of concerts in Mexico City. All of the concerts were recorded and filmed with a view to issuing a definitive document of Crimson live in 2017 and Meltdown is the result of that process. With over two hours of HD filmed performance and three hours of audio, Meltdown offers a comprehensive overview of a band at the very peak of its performing ability.

King Crimson's Meltdown in Mexico will be released on September 28th and will be distributed by Amped Distribution.

Pre-order from: Inner Knot (US) https://shop.schizoidshop.com/featured-items-c12.aspx

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

August 3, 2018

Guitarist Tone Masseve To Release Debut Album "Amp L'étude" Feat. Jethro Tull Drum Legend Doane Perry


“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he's that good.” - Graham Parker

NYC - The singing sustain of multiple razor edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve's album “Amp L'étude.” Classical pieces? Yes, but these are not the dry, conventional versions we've all heard before. The album vividly brings these compositions to life with a new and powerful sound.

Tone said, “In my childhood I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.

Tone's dynamic playing combined with Doane's great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She's so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”

Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve's enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone's inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context. 

One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of ... and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don't know how he did it but that is one of the delightful musical riddles which does not need solving. 

Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Masseve will not remain unknown for much longer.

Doane Perry

Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn't play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he's that good.”

The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L'étude, tragically, Tone got pneumonia and died.

In 2016 a wonderful and talented group of musicians came together to finish his long lost album. The first was Doane Perry who added his hard hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren and many, many others.

Next was Garry Kvistad who is a Grammy award winning master percussionist. He is a member of the four man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces

Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She's so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.

On YouTube there are twelve 30 second sample videos, one for each of the twelve pieces from “Amp L'étude. “The videos feature the characters from the front cover of the album: https://www.youtube.com/playlist?list=PL2Wu-VN7bmX2249K3hIJy8HgFZTfJC208

In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”

To purchase Tone Masseve's “Amp L'étude”: 
https://www.amazon.com/dp/B07FT6C4S5?ref=cp_d_n_u
store.cdbaby.com/cd/tonemasseve

For more information:
Website: www.tonemasseve.com
FB: https://www.facebook.com/Tone-Masseve-291339831409659/
Twitter: https://twitter.com/TMasseve
Instagram: https://www.instagram.com/tonemasseve/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

July 31, 2018

Chilean Prog Ensemble AISLES Release New Live EP


“Live from Estudio del Sur”, a mini-album recorded live, is available on CD and digital platforms 

“Live from Estudio del Sur” is Aisles’ latest release. The EP was recorded at Estudio del Sur, and includes newly done versions of the songs “Clouds Motion”, “Shallow and Daft”, “Still Alive” and “Club Hawaii”. Germán Vergara, guitarist, describes it as “a blend between some of earliest and some of our newest compositions, all in the same set, with the current Aisles sound. 'Clouds Motion' is one of the first songs we recorded as a band. We also made a new version of 'Shallow and Daft, where we invited the singer Catalina Blanco from the band Téfiret. The last two tracks, 'Still Alive' and 'Club Hawaii', capture the hopeless atmosphere of our concept album 'Hawaii' and reflect what the band is doing nowadays. People will like the sound on the EP as the songs feel more organic and heavier that on the albums.”

Also, these songs were a series of live sessions filmed by director Bernardo Quesney, who has also worked with Chilean artists Gepe, Javiera Mena and Colombina Parra, among others.

“Live from Estudio del Sur” is available on a limited edition CD and on digital platforms:
Spotify: https://open.spotify.com/album/6MB4FCGawPV1Mcem85gFvM
YouTube: https://youtu.be/tWUDTQhdwxQ
Bandcamp: https://aisles.bandcamp.com/album/live-from-estudio-del-sur
Apple Music: https://itunes.apple.com/ca/artist/aisles/742364886
Amazon: http://a.co/7nNFvbC
CD Baby: http://www.cdbaby.com/cd/aisles9
Deezer: https://www.deezer.com/us/album/68798581
Aisles official store: https://www.aislesproject.com/product/live-from-estudio-del-sur-ep-cd/

Videos:
“Clouds Motion” (Live from Estudio del Sur):


“Shallow and Daft” (Live from Estudio del Sur):


“Still Alive” (Live from Estudios del Sur):


“Club Hawaii” (Live from Estudio del Sur):




BIOGRAPHY
With four studio albums, Aisles have become South America’s most acclaimed prog act of the last decade. Their daring combination of rock, fusion, jazz and world music illustrates the band's uniquely eclectic approach. The group has played in the Americas and Europe, and their albums have been published in Europe, North and South America, and Japan. In 2009, their second album, “In Sudden Walks”, was nominated for Best Foreign Record in the Italian Prog Awards and the group was invited to open the 11th Progressive Rock Festival Crescendo in France. Their third album, “4:45 AM” (2013) was widely acclaimed worldwide and was chosen among the best albums of that year in a number of specialized publications. “Hawaii” (July, 2016), their fourth studio album was called a “masterpiece” and named one of the albums of the year by media outlets such as Prog (England), Neoprog (France), Raw Ramp (England) and Chile's premiere rock magazine, Rockaxis. The band also toured Europe, Mexico and the United States for the first time in their career. Currently, the band is working on their fifth studio album, to be released in 2019, which will include songs described as “charged with complex emotions and with a more modern sound”.

AISLES are:
Sebastián Vergara: lead vocals
Germán Vergara: guitar, vocals
Rodrigo Sepúlveda: guitar, vocals
Daniel Concha: bass
Juan Pablo Gaete: keyboards
Felipe Candia: drums, percussion

LINKS
http://www.aislesproject.com
http://www.facebook.com/aislesproject
http://twitter.com/aislesproject
http://www.youtube.com/aislesproject
https://www.instagram.com/aislesproject/
https://play.spotify.com/artist/1aHj1tpKsDAUDDOMZXcjQg

Press inquiries: 
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com

July 13, 2018

Prog Ensemble 41POINT9 Premieres Second Video "These Four Lands" From Forthcoming Album "Mr. Astute Trousers"


“In my mind this is a band that melds two of my favorite things about music; Pop sensibility and progressive complexity. ” - Ted Leonard – Spocks Beard, Enchant 

Prog ensemble 41POINT9 is premiering their second video titled “These Four Lands”  from their forthcoming album “Mr. Astute Trousers” on Sonic Perspectives! The band has two albums being released internationally on September 21, 2018. One is the brand-new sophomore release “Mr. Astute Trousers” and the other is a remixed and remastered version of their debut album “Still Looking For Answers.” The band has been busy creating a series of high quality concept videos to help get word about the album out.

Watch 41POINT9's “These Four Lands” video here: https://www.sonicperspectives.com/news/41point9-premieres-these-four-lands-video/ ;

Hammer meets anvil and the sparks fly. In the process, a sword is made stronger than it could have been before. The same thing happened back in 1995 when bassist/songwriter/producer Bob Madsen met guitarist/songwriter/singer Brian Cline in the North Bay Area of California. Brian and Bob began working together on a few tunes written by Bob and began a lifelong “bromance.” In Brian, Bob had found the perfect voice for his muse. The only problem was Brian's insistence on editing Bob's lyrics (a process referred to as “lyrical evisceration”). (Of course, the real problem is that almost without exception Bob has had to admit that Brian's edits make the songs better.)

After nearly a decade of friendship the two decided to start a band together. That band is 41POINT9 and is known for being a prog rock band, but Bob and Brian would probably argue that point with you. “We don't care about styles or subjects or how the song will be classified. We start out with an idea and let the idea dictate where the song will lead. We usually write the lyrics first and then add the music in order to further the concept of the song. As such, we are able to bring a diverse range of musical influences to bear, like a painter would with many pigments and brushes. We actually create the songs with little to no regard for how we would or even could perform them live.” Bob continues, “We might combine Stravinsky strings with funk bass and heavy metal guitars. Hip-hop or EDM production styles might meet new wave synths and storytelling lyrics that would be at home on a classic country album. We simply don't care as long as the song is good.”

“Notice we didn't mention Prog?” Brian adds, “We absolutely love progressive music; however, we don't stop there. We are in the pursuit of the different. Shouldn't progressive music progress? Why apply the same stylistic norms that have been used since the '70s and still call it progressive? That's not progressive - that's stagnant.”

“Don't get us wrong,” chimes in Bob, “we are writing songs with a very strong pop sensibility and we feel they are eminently listenable; we just don't feel the pressure to stay in one genre or tonality. It just doesn't matter as long as it serves the song.”

In support of the “Mr. Astute Trousers” album release, 41POINT9 is preparing to tour later in the year if all goes well. “The difficulty in touring is that we have been having a real problem finding a drummer for the band,” Bob concludes. “All of the ones we have auditioned have spontaneously combusted. I guess that's what we get for using the same talent agency as Spinal Tap.”

For more information:
www.41POINT9.com
www.TheHighlanderCo.com
https://www.facebook.com/41POINT9/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com