October 17, 2014
London, UK - Much to the excitement of music fans worldwide, UK rock quintet Winter in Eden release their highly anticipated third album COURT OF CONSCIENCE on October 16, 2014. Recorded in Holland during 2013, the album contains eleven new songs which builds and further refines the unique style that is Winter in Eden. Featuring compelling vocals, muscular riffs, memorable hooks, swirling keyboards coupled with pounding bass and thunderous drums, the result is powerful, modern and balanced.
Produced by Ruud Jolie (Within Temptation) and mixed by Stefan Helleblad (Within Temptation), the album also features guest vocals by Jermain van der Bogt (For All We Know/Ayreon) and an unmistakable voiceover by multi-award winning Damian Wilson (Threshold/Headspace/Maiden United). 'Court of Conscience' retains the bands signature of thought provoking lyrics mixed with memorable melodies. Whilst no two songs are alike, fans will be delighted to hear that the bands approach to this album is a familiar one. With hard and heavy anthems such as “Knife Edge” and “Toxicate”, more chilled and progressive tracks such as “Burdened” and “It's Not Enough” plus the blues rock of “Affliction”, this album has something for every taste and mood.
Bassist Ian Heddle reveals, “We are really pleased to have the opportunity to release 'Court of Conscience' into the world market. Whilst the digital age has broken down borders and albums can be purchased via download, some people still like to own physical copies. The previous release (Echoes of Betrayal) was only distributed throughout the UK and we would often get messages from fans around the globe asking us to send stuff here, there and everywhere! Thankfully, we now have access to Cherry Red's resources and can actually get the real thing into your favourite store...wherever you are!”
Watch the official video for the track “With Intent” taken from the album here - http://youtu.be/Zt-omW7xwXs
Winter In Eden, a dark yet beautiful cocktail of power and passion. Their music builds from delightful symphonic instrumentals to crunching aggressive Metal. Between 2009 and 2013, the band released two full length albums, two EP’s and have entertained fans throughout the UK and Europe with numerous tours and festival appearances. The debut album 'Awakening' was recognised as one of the albums of the year. The track “Lies”, from 'Echoes of Betrayal' was awarded Classic Rock Magazine's 'track of the day' and they have been nominated in the 'Best New Band' (2012/2013), 'Best Live Act' (2013) and 'Best Female Singer' (2012/2013/2014) categories at the annual Classic Rock Society Awards.
Winter In Eden's energetic live performances have been enjoyed by capacity crowds in the UK at events such as The Cambridge Rock Festival and various Femme Metal Festivals alongside Delain and Revamp. Most recently Winter In Eden have taken their live show into mainland Europe, performing to increasing numbers in the Netherlands and Belgium, playing with acts such as Stream of Passion and Maiden uniteD.
Winter In Eden is:
Vicky Johnson - Vocals
Steve Johnson - Keyboards
Samuel Cull - Guitars
Ian Heddle - Bass
Steve Hauxwell – Drums
“Winter In Eden are the best female-fronted symphonic rock band Britain has to offer right now” - Classic Rock Magazine
“Albums as wonderful as this one from new British bands do not come along every day. It has been a complete revelation to me” - Fireworks
“The band stands out for their song writing, their vocals and their musicianship. And they're British too. Every song on here is first class” - Powerplay
“Fabulous set by a band destined for greatness” - Classic Rock Society
“All the quality and all the potential” - Dominion/Terroriser
1. KNIFE EDGE
2. WITH INTENT
3. CRITICAL MASS PART 1 - BURDENED
5. ORDER OF YOUR FAITH
6. IT’S NOT ENOUGH
7. BEFORE IT BEGAN
8. THE SCRIPT
9. CONSTANT TOMORROWS
10. BEHIND CLOSED DOORS
Official website - www.winterineden.com
Facebook - https://www.facebook.com/pages/Winter-In-Eden/110545798972772
Management and Bookings In the UK: Lycan Media Group
Outside the UK: JBM Events
To purchase Winter In Eden's 'Court of Conscience':
Amazon UK: http://www.amazon.co.uk/Court-Of-Conscience-Winter-Eden/dp/B00MW67KSK/
Amazon US: http://www.amazon.com/Court-Of-Conscience-Winter-Eden/dp/B00MW67KSK/
Press inquiries: Glass Onyon PR, PH: 828-350-8158, email@example.com
October 16, 2014
Release Date: 4th July 2014
This album from the band Elabaural, A Journey of Intrigue, is most definitely a first. I receive many albums for review from both known bands and bands/artists that would have slipped under my audio radar and Elabaurel would fit into this latter category. What makes this particular band more unusual than most is that they hail from The Ancient One’s hometown, Kirkcaldy in Fife, Scotland.
Elabaural is a three piece instrumental prog metal band, formed originally as DepthCharge in 2003, but changed their name to Elabaural in 2005. This came about after the original band “lost” their vocalist, and subsequent material written was channeled towards instrumental music. At the moment the band are only a 2 piece as they are currently searching for someone to take over the drum stool, and I would hazard a guess that the two members of the band are related, as Arran MacInnes plays guitar and Alister MacInnes plays bass. The band have cited a variety of influences including Dream Theater, Opeth, Circus Maximus, Rush and Porcupine Tree.
A Journey of Intrigue is a 10 track album with a total playing time of around 71 minutes. The tracks vary a fair bit in length with 3 tracks in excess of 10 minutes, with track 4, “BlackJack,” the longest at 20:33 minutes and the shortest track on offer is track 6, “Adrift” at only just over the 2 minute mark (2:10).
The opening track on A Journey of Intrigue is “Genesis” (5:36) and starts with some superb solo guitar work with little phrases and runs before the cymbals give a little backdrop to proceedings and the bass notes become more regular. The track continues in the same vein and is hugely atmospheric. The whole sound changes around the 4 minute mark, becoming a more driving style with the drums and bass pushing the track along. An excellent starting track and bodes well for the upcoming tracks.
“Precipice” (4:47) is started with some atmospheric electronic beeps before the bass has a gentle passage, then the guitar slams into action. Just after the minute mark the driving guitar riff has taken over and there are passages which simply thunder along. I did find that around the 3 minute mark, my attention was beginning to drift a little as the track seemed to be losing a bit of direction. An excellent little guitar phrase drew the attention back, but then the track returned to earlier ground and was then off.
The third, and strangely titled, track, “Population, Montgomery” (4:20) is more like the opening track with some exquisite guitar playing, backed up superbly by the rhythm engine within the band. Around the halfway point there is a very jazzy laid back feel to the track, which works well and this then builds slowly until the track takes it’s leave.
The other shorter tracks to be found on A Journey of Intrigue, “Adrift” (2:10), “Suspended In A Painting” (6:58), “Mind Cry” (2:17) and “Vorcha” (3:04), all maintain the listeners interest in different ways. “Adrift” succeeds by being an almost Spanish/classical styled guitar led track, “Suspended In A Painting” moves the tempo up a few notches highlighting more of the guitar playing by Arran, “”Mind Cry” is a slightly slower jazzy styled number and “Vorcha” is a slab of power chords and chunky guitar riffs.
The main disappointment I found with A Journey of Intrigue was that the long tracks, “BlackJack” (20:33), “Trial By Torrent” (10:15) and “The Raid” (11:27) tended to suffer a similar fate to track 2, “Precipice,” in that the interest level wasn’t maintained. All 3 long tracks show some excellent skill by the musicians, as witnessed in the short tracks, but stretched out to over 10 minutes the guitar/bass/drums complement didn’t provide enough of a variation to maintain the listener interest. Too many times I found myself waiting for a vocalist to take the track onwards.
An instrumental album of any genre needs to have something that makes it stand out, basically something that “grabs the listener by the throat and shouts Listen!” My personal opinion is that an instrumental album is a very difficult album to be successful with because of this.
For the most part, I found A Journey of Intrigue to be a very good debut album, as far as the short tracks were concerned and I would be keen to catch a follow up release to see where Elabaural are going as they show great potential. Arran can certainly handle a guitar and the supporting bass playing of Alister and drums, by person or machine unknown, complements the guitar work. The album has great atmospheric short tracks, and perhaps if the long tracks had been curtailed a little, bearing in mind the 71 minute playing time, and an album of length 50 minutes had been produced, I think I would have been better satisfied.
As always, the views I give are personal views and are likely to differ from many other people, so I would suggest giving A Journey of Intrigue a few listens and decide for yourself.
Key Tracks: Genesis, Adrift, Suspended In A Painting
Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk
October 16, 2014
Review Provided By Prog Rock Music Talk
October 14, 2014
District 97 Featuring Legendary King Crimson/Asia Vocalist John Wetton Release One More Red Night: Live In Chicago CD – OUT NOW!
London, UK – Prog fans rejoice! A new live CD capturing a set of King Crimson songs performed by District 97 and former King Crimson lead singer John Wetton has been released on Primary Purpose via Cherry Red Records.
'One More Red Night: Live In Chicago' includes three songs from the iconic landmark album 'Red’; which inspired many musicians including Kurt Cobain. This CD also captures several other well-known songs from the three King Crimson studio albums John Wetton played and sang on, plus their earlier hit “21st Century Schizoid Man”. This is the first release of this recording and features many tracks which are now rarely heard live.
“I've said it before, and I maintain that D97 is the best young progressive band around right now. Gifted players, great material, and a brilliant, charismatic singer in Leslie Hunt. Their shows are an exciting pleasure to attend, and I am proud to work, and be associated with them.” - John Wetton, Annapolis, October 1,2014.
District 97's drummer and 'One More Red Night' producer, Jonathan Schang, says “The first Crimson song I ever played live with John was 'Lament'. To hear 'that voice' coming from right in front of me, seemingly made only stronger by the passage of time, was an experience I shall never forget. Getting to know John more closely, both as a musician and a human being, is an honor and a privilege. I'm thrilled that our joint interpretations of his iconic work with King Crimson are now available for all to enjoy.”
1. ONE MORE RED NIGHTMARE
2. THE GREAT DECEIVER
4. THE NIGHT WATCH
5. FALLEN ANGEL
6. BOOK OF SATURDAY
7. 21ST CENTURY SCHIZOID MAN
9. EASY MONEY
To purchase District 97 & John Wetton 'One More Red Night: Live In Chicago':
Amazon US: http://www.amazon.com/More-Night-District-With-Wetton/dp/B00N3SE9US/
Amazon UK: http://www.amazon.co.uk/More-Night-District-With-Wetton/dp/B00N3SE9US/
Cherry Red: http://www.cherryred.co.uk/shopexd.asp?id=4842
iTunes US: https://itunes.apple.com/us/album/one-more-red-night-live-in/id912870501
iTunes UK: https://itunes.apple.com/gb/album/one-more-red-night-live-in/id912870501
District 97’s last album was Trouble with Machines, features a guest appearance by John Wetton on the mini-rock opera, "The Perfect Young Man":
John Wetton’s last solo project was a 2 CD re-issue of Monkey Business and Jack-knife, the former of which includes many of his early 1970s versions of tracks that went on to become some of King Crimson’s most iconic songs:
Official websites: www.district97.net & www.johnwetton.com
Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), firstname.lastname@example.org
Release Date: August 25, 2014
Opeth is the type of band that is a league of its own. They are a progressive rock band whose sound has been shaped by a wide range of influences, including death metal, black metal, jazz, blues, and classical, and over the past twenty five years they have given the music world masterpiece after masterpiece. From their 1994 debut with Orchid to their seminal 2001 release of Blackwater Park and to their move toward a more progressive rock sound with 2008’s Watershed and 2011’s Heritage, Opeth is always an innovative and exciting band.
Hailing from Stockholm, Sweden, Opeth formed in 1990. After a few line-up changes throughout the years, the band currently consists of Mikael Åkerfeldt (vocals, guitars), Martin Mendez (bass), Martin Axenrot (drums), Fredrik Åkesson (guitars), and Joakim Svalberg (keyboards). Pale Communion is the band’s eleventh album and another stunning achievement, featuring eight stunning tracks and two live special edition cover tracks of Black Sabbath’s “Solitude” and Hansson de Wolfe United’s “Var kommer barner in.” With its mix of metal, hard rock, and progressive rock, Pale Communion stands as a sublime testament to Opeth’s musical development.
Beginning listeners on this musical journey is the dazzling “Eternal Rains Will Come.” It has a wonderful progression from its wild and hard-hitting opening to a more subdued middle section with a slight up swing at the end. It is exciting and almost dreamlike in quality, and makes for one memorable opening track. The album moves in a swift and pleasant fashion with the melodic “Cusps of Eternity.” There is a slight menace behind the music to give the song a dark edge.
The epic “Moon Above, Sun Below” is a tower that looms large over the album. It is a truly atmospheric song that calls to mind barren wastelands and windswept worlds with the forlorn power of the music. There are moments of intensity that come in short bursts, but the slower moments are the backbone of the song with the emotion that underlies them. “Elysian Woes” is just right in its sense of loneliness and incurable melancholy. Taking its name and inspiration from the Italian progressive rock band of the same name, “Goblin” is one instrumental that is a delight with its strangeness and would certainly not be out of place in an Argento film. It calls to mind tense chase scenes through long corridors and crooked staircases.
“River” is the right mix of light and dark. It starts bright and sunny like the soundtrack to a pleasant afternoon before the melancholic lyrics really hit and that is just the first part. The second half of the song is faster and darker like storm clouds swooping in blotting out the sun. “Voice of Treason” is another dark and heavy song that is sure to be a favorite. Its menacing atmosphere is matched by the beauty of its harmonies. The album ends with the breathtaking “Faith in Others.” From the heart wrenching vocals to the acoustic guitars, it is the perfect touch of melodic melancholy that fans will love.
I think that Pale Communion is a positive example of this band’s musical evolution. It is does not sound like their old stuff, it is not Blackwater Park or Damnation, and why should it be? It you want to hear that sound, those albums will always be there to be listened to. The new does not take away from or taint the old in any way. Artists need to progress and experiment or else their music will become stale and lifeless, which is something that is easily forgotten when it comes to music of any genre. As Åkerfeldt says, “It would be complete death for me as a musician to just do one thing.” Thankfully, he and his bandmates do not and let their diverse influences take them to new musical heights.
Opeth’s Pale Communion is a fine piece of work with some stunning music. It is just what one has come to expect from this band. This album is just another brilliant step in their long and fruitful career, and wherever their sound is headed in the years to come, I will be there to listen. If Pale Communion is any indication of what is to come, I would bet that it is going to be fantastic. This is one 2014 album that should not be overlooked.
Key Tracks: Eternal Rains Will Come, Moon Above, Sun Below, Voice of Treason
October 14, 2014
Review Provided By Prog Rock Music Talk
October 10, 2014
“The greatest bass player on the planet!” - Geddy Lee
Clearwater, FL – Much to the excitement of European music fans, bass legend Jeff Berlin will be touring Europe with his trio beginning mid-October! Jeff Berlin is internationally regarded as a legend, considered one of the greatest bass players in the world. The late Jaco Pastorius regarded Berlin as a better soloist than he was, and Geddy Lee famously referred to Berlin as “the best bass player on the planet!” Known worldwide for his innovative style, Jeff has graced bandstands and recordings with legendary players like Bill Bruford, Dennis Chambers, Neil Peart, Billy Cobham, and Allan Holdsworth, and has led bands and recorded his own CDs for nearly 30 years. He has recorded for vocalists Patti Austin and KD Lang; he has traversed the progressive rock realm with former YES members Anderson, Bruford, Wakeman, Howe; Jeff famously turned down an offer to join rockers VAN HALEN. Jeff is also hailed outside the usual musician ranks: Actor Gary Sinise (also a bassist) is one of his biggest fans, and renowned boxing trainer and ESPN commentator Teddy Atlas refers to Jeff as “the best in the business.” From straight ahead Jazz to Fusion to Prog-Rock, Jeff plays it all, always at the very highest level of proficiency and musicality.
Now fans will have a chance to watch Jeff and his new trio perform throughout Europe! This also includes a rare performance in Russia!
Says Jeff, “This trio with Scott Henderson on guitar, Gary Novak on drums, and me on bass, is all about the groove, the funk, the strongest rhythm section interplay that we can provide. It will be interesting to play with Gary in this new version of HBC and see what new areas of playing the three of us can come up with.”
Jeff Berlin tour dates:
13 France Bordeaux Clnic Jeff & Scott
14 France Bordeaux Le Rocher de Palmer
15 France Montpellier Le Jam
16 France La Fayet Le Repaire des Ours
17 Switzerland Basel Volkshaus
18 Switzerland Lugano Villa Carmine
19 Russia MOscow Alexey Koslov Club
20 Russia Rostov Rostov Philarmonic
22 Austria Wien Porgy & Bess
24 Germany Osnabruck (TBA)
25 Germany Minden jazz Club Minden
26 Germany Heinsenberg Rondell im Klevchen
27 Netherlands Zoetemmer Boerderij
28 Germany Munster Hot Jazz Club
29 Denmark Esbjerg Tobakken
30 Sweden Malmo Victoria Teatern ( + clinics)
31 Sweden Goteborg Nefertiti
1 Norway Oslo Herr Nilsen
2 Sweden Stockholm Fasching
5 Poland Opole dom Expo
6 Poland Wroclav Zaklete Rewiry
7 Norway Bergen Sardinen USF
8 Norway Stavanger Folken
10 Spain Lugo Lugo Jazz
In 2013, Jeff released his critically acclaimed album 'Low Standards', which proved once again, that his is the highest standard of virtuosity in the low-end spectrum. Says Jeff, “Because I am such a huge fan of Keith Jarrett's 'Standards' CDs, I wanted to follow my last project, 'High Standards', with another standards recording, but this time playing on lesser-known tunes, lesser known to the general public... However, Jazz fans should know every tune that I chose to play. I chose compositions with lots of harmony so that I was forced to seek out non-typical bass lines. The harmony in these tunes demanded that I find something different to play on my bass. I also heard in my head how each composer played their own songs, often while we were recording. That was a strange experience.”
For more information:
Jeff Berlin: www.jeffberlinmusic.com
Press inquiries: Glass Onyon PR, PH: 828-350-8158, email@example.com
Jeff Berlin is available for interviews – please contact Billy James at Glass Onyon PR