Over the course of over 17 years, half a dozen albums, and more metric shifts than you can shake a stick at, the ever-evolving DREADNAUGHT has carved out a musical niche unlike any other. This is because, very simply, we're totally and utterly deranged.
In May of 2013, the perpetually idiosyncratic DREADNAUGHT – bassist BOB LORD (the guy writing this), drummer RICK HABIB , and guitarist JUSTIN WALTON – finally released the first studio recordings from our HARD CHARGIN' project. It's been a while (6 years to be precise) but in that time we continued to perform, compose, and create without pause, in the words that the late great JOHN UPDIKE uttered about us, “the sound of terror.” Utterly uncompromising multi-movement prog-rock opuses, gritty bar-band Americana, experimental electronic music, even music for orchestra... we’ve done just about everything a band can do, and stuck to our guns the whole way.
Our subsequent releases were no more normal and just as logically bizarre. From the fully instrumental, fusioned-up Americana- and electronic-inspired Musica En Flagrante to the spastic, unadorned trio-only musical explosions of Live At Mojo to the more vocally-based yet no less outlandish new material on the double-disc semi-retrospective hybrid High heat & Chin Music, we’ve explored every nook and cranny that our collective hearts desired.
In between were some unusual and enjoyable gigs, like a commissioned cover of THE WHO’s “Going Mobile” for an advertising campaign, some music for independent films, a recording of a newly-arranged and orchestrated version of a track from The American Standard by the MORAVIAN PHILHARMONIC ORCHESTRA, and the theme song for New Hampshire Public Radio's flagship program The Exchange. If nothing else, we know how to have our cake and eat it too.
Really – what is the point of doing what has already been done? We'll leave that to the other folks. Duck for cover... head for the hills... here comes DREADNAUGHT.