April 11, 2014

Prog Duo Days Between Stations Release Limited Edition Vinyl Of Critically Acclaimed Album 'In Extremis'


Los Angeles, CA - Much to the excitement of vinyl enthusiasts around the globe, prog duo Days Between Stations have released their critically acclaimed new album 'In Extremis' on a limited edition DBL LP!

Says guitarist Sepand Samzadeh, “We put a great deal of emphasis on creating a mood by way of sonic textures. The CD was mastered so that the listener could CRANK THE VOLUME ON THE STEREO. If you really want to hear THE COMPLEXITY OF ALL THE LAYERS AND SONIC TEXTURES, the vinyl record is the way to go.”

Possibly the most anticipated prog release of 2013, Days Between Stations' sophomore album 'In Extremis' was released on May 15, 2013. Boasting an incredible guest line-up of music legends featuring Colin Moulding (XTC), Rick Wakeman (YES), Peter Banks (YES/Flash) Tony Levin (King Crimson/Peter Gabriel) and Billy Sherwood (YES/CIRCA:), Days Between Stations reached a new level of creative artistry on their second release.

Founded in 2003 by guitarist Sepand Samzadeh and keyboardist Oscar Fuentes, the duo named themselves after the cult novel by Steve Erickson and have devoted themselves to, as they say, Art Rock and Post Prog - music that reflects their varied influences, as well as shared disregard for stylistic boundaries. This eclecticism continues apace on 'In Extremis'. At times the music recalls Peter Gabriel or 'Duke'-era Genesis (as on the propulsive “Visionary”, which features Sherwood's multi-layered vocals and Levin's driving Stick bass work), or an ambient marriage between Pink Floyd and Lisa Gerrard and Debussy (“In Utero”), or even a cross between Ultravox and Marillion and 'Abacab'-era Genesis (the Moulding-sung “The Man Who Dies Two Times”).

Here's what the press has raved about 'In Extremis':

“The fact that Rick Wakeman, Tony Levin and Peter Banks help create this majestic piece of symphonic prog only made this a stronger contender for prog album of the year.” - Mark Johnson, Sea of Tranquility

“Indeed, Days Between Stations nestles an artsy approach into its repertoire, often contrasting the soloists' tenacious yet purposeful excursions, and seeded by the leaders' wide-ranging agenda.” - Glenn Astarita, All About Jazz

“But the late Yes founder (Peter Banks) is just the beginning of the dark-hued wonders to be found on this neo-prog triumph. Accessing an endlessly fascinating palette that also takes in ambient and classically inspired moments, Oscar Fuentes and Sepand Samzadeh brilliantly explore themes of life, and death, and everything in between.” - Nick Deriso, Something Else Reviews

“Here's an album that deserves a place in everyone's record collection. The superb artwork and quality of the booklet and packaging makes it a must-buy as opposed to (legal) download, for me at least. Support truly great musicians going out on a limb to bring you truly great, original progressive rock music as good as some of the classics.” - Brian Watson, DPRP

“Days Between Stations have really matured into a first class symphonic prog band with the music created on In Extremis. There are so many wonderful moments where the music takes flight and goes in completely unexpected directions. And that’s one of the things we’ve come to love about prog. In Extremis fulfills all musical expectations in that sense.” - Jerry Lucky

Days Between Stations promotional video:
http://www.youtube.com/watch?v=D4lZX15qIGQ

To purchase:
LPs:
Days Between Stations website:
http://daysbetweenstations.com/in-extremis-now-available-in-double-vinyl-lp-limited-edition/

CDs:
Days Between Stations website: http://daysbetweenstations.com/store/
CD Baby: http://www.cdbaby.com/Artist/DaysBetweenStations
Amazon: http://www.amazon.com/gp/aag/main?seller=AHYHSMF7UJWSD

Digital:
iTunes: https://itunes.apple.com/us/album/in-extremis/id641284924
CD Baby: http://www.cdbaby.com/Artist/DaysBetweenStations
Amazon: http://www.amazon.com/gp/aag/main?seller=AHYHSMF7UJWSD
eMusic: http://www.emusic.com/album/days-between-stations/in-extremis/14073410/
Google Play: https://play.google.com/store/music/artist/Days_Between_Stations?id=Avn26mluz4n6koimyvcap5zhxzy

For more information: http://daysbetweenstations.com

Press inquiries: Glass Onyon PR, Billy James, PH: 828-350-8158, glassonyonpr@gmail.com

Prog News: Roger Waters and Pink Floyd’s Sound Engineer James Guthrie Revisit AMUSED TO DEATH



 Columbia/Legacy Recordings and Acoustic Sounds
to release deluxe products later this year


This year, Roger Waters and long term collaborator, Pink Floyd’s sound engineer, James Guthrie, revisit Waters last solo album, AMUSED TO DEATH.   In pursuit of reimagining the music with brand new stereo and 5.1 mixes, James Guthrie captures Roger’s original sonic intentions in 21st century definition for this new important release.

20 years after its original unveiling, Amused to Death, provides startling revelations for today’s internet age, and speaks with more resonance than ever before.  This trenchant masterpiece offers explosive provocations for a 21st century generation addicted to their screens. The album, compared by critics to George Orwell’s “1984”, contains an urgent musical interrogation of the West’s mass media and advertising consumption, now more prevalent than ever. The music questions the omnipresent media culture which we now live in, which works to seduce us into apathetic oblivion in front of our flat screens, whilst the horrors of the world rumble on. This extraordinary album challenges our relationship to mass media and conjures an image of today’s population amusing themselves to death.

The new mixes, along with additional never before released content and brand new graphics, will be included in the 2014 reissue releases from Columbia/Legacy Recordings and Acoustic Sounds.

James Guthrie will preview samples of these newly mastered stereo and 5.1 tracks at Pink Floyd: Sound, Sight, and Structure, the Pink Floyd interdisciplinary conference hosted at Princeton University on April 12, 2014.

Amused to Death originally released in 1992 is a comparable aesthetic and cultural milestone to The Dark Side of The Moon and The Wall. The album is regarded by Waters’ aficionados as a bona fide masterpiece, combining the artist’s cutting edge social analysis with a spare yet forceful tone, and some of the most penetrating riffs he has ever written.

To stay updated on Amused to Death news, sign up to the Legacy Recordings newsletter here: http://smarturl.it/Lrnewsletter and “Like” Roger Waters on Facebook at: www.facebook.com/RogerWaters

Prog Rock Review: Ian Anderson-Homo Erraticus

Release Date: April 15, 2014
Label: Kscope Music

Ian Anderson is back at it again with a follow up to the surprising sequel to Thick As  A Brick, the strong TAAB2. That stout showing with a different band gave Mr. Anderson as much authority as one would expect being the driving force behind Jethro Tull since their inception. So what does the prog legend do for an encore now? Under the banner of Ian Anderson, which equates to Jethro Tull to most of us longtime listeners, we now have the persnickety Gerald Bostock taking another journey on Homo Erraticus. Note that it is not referred to as Homo sapiens but our species gone a bit astray or erratic.


Anderson and band are back in fine and witty form on this release. He colorfully describes the gist of the story on their website and it gives the perspective audience a window into what is going to happen upon listening to the new progressive rock journey. In summary…The now middle-aged Gerald Bostock after a trip to Mathew Bunter’s Old Library Bookshop in Linwell village, the two gents came across a dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt, (1873 -1928), which is entitled “Homo Britanicus Erraticus.” Then from there the album jumps into three suites as the story moves along. Part One: Chronicles is comprised of tracks 1-8, Part Two: Prophecies tracks 9-11 and then rounded out with Part Three: Revelations with tracks 12-15.

Anderson brings back the talented Florian Ophale to lead the way on lead guitar along with David Goodier (bass, and double bass), John O’Hara (orchestral conductor, piano, keyboards and accordion), Scott Hammond (drums and percussion) and Ryan O’Donnell (additional vocals). 

Anderson continues to burn the midnight oil while opting to explore new avenues and challenges rather than resting on the laurels of previous accomplishments. His voice is the perfect complement to the most entertaining music found on this new album. The pace of each track is ever changing and the scope is broad with artistic strokes of progressive rock, metal and folk to create the backdrop to the story, all with energetic purpose. I think Ian has adjusted well to losing some range in his vocals over the years and the music more than compensates for that change. He is a storyteller supreme and the music is the proverbial icing on the cake.

”Doggerland” leads things off nicely and sets the tone for a proper Jethro Tull/Ian Anderson outing and from that point it gets “progressively” more interesting whilst moving into each suite. As usual Ian’s flute adds an entirely different dimension to the music and it just would not be the same without it of course. The different moods and atmospheres are placed properly throughout and the story masterfully told by the master himself. “The Turnpike Inn” is likely to remind you of the heavier JT with the guitar playing, it still works very well. As much as I respect Martin Barre and have enjoyed his work over the years I cannot see where he is missed, particularly on this rocker. Ophale does more than an adequate job and most certainly Ian would take no less than the best musicians to work with to perform his compositions. “The Engineer” picks it up again with some strong guitar lines and Ian’s voice is very capable here. “Tripudium Ad Bellum” keeps the fires burning with rapid flute lines to kick off the proceedings then the intro takes a turn with some nice jazzy guitar as Ian has some fun leading the way with his flute. Suddenly it changes again with some driving passages like TAAB had to offer. It is an instrumental foray that introduces you to the second suite in a most classic prog way. “The Browning Of The Green” rounds out the final suite. It is a drive you home number with great music from all points. The combinations of instruments and unique vocals created in this recording take the best of what Anderson and band has to offer. The rock, folk and metal combined is what you would expect and that is exactly what you get on this entertaining excursion. “Cold Dead Reckoning” ends the opus most appropriately with the classic JT sound and flair. The title has finality to it and the music lures you in and hits hard leaving you to think what could possibly come next but alas this story is over. In the end what you get is an all-encompassing state of man set to music that surely has another chapter to tell down the line. I don’t think we have heard the last of Gerald Bostock…that is if man made it out of the desolate land he walked upon as the curtain closes one more time.


I must admit upon first listen I was not too sure about this album but after several more subsequent spins it grew on me a few notches upon the ladder of approval. This is not music you can listen to in the background; it demands your complete attention to be appreciated as an entire work of art. It’s never cut and dried with Mr. Anderson and you will find once you consume every bite of this full course meal that Homo Erraticus is yet another triumph. This is indeed a musical story that deserves repeated listens. Is this another prog rock classic? I have no doubt that it is. You must add the album to your collection if you have a place in your heart and soul for progressive music.

5/5 Stars

Key Tracks: Doggerland, The Turnpike Inn, The Browning Of The Green

Keith “MuzikMan” Hannaleck-Prog Rock Music Talk Founder


April 11, 2014

Tracks:
Part One: Chronicles
01. Doggerland      
02. Heavy Metals      
03. Enter The Uninvited  
04. Puer Ferox Adventus  
05. Meliora Sequamur  
06. The Turnpike Inn  
07. The Engineer  
08. The Pax Britannica  
Part Two: Prophecies  
09. Tripudium Ad Bellum      
10. After These Wars      
11. New Blood, Old Veins
Part Three: Revelations      
12. In For A Pound      
13. The Browning Of The Green      
14. Per Errationes Ad Astra      
15. Cold Dead Reckoning