When you get three world
renowned musicians together they call it a supergroup. When you put
three progressive rock legends in the studio together music fans call it
bliss. Tony Levin (bass, chapman stick, cello), Marco Minnemann (drums,
guitar) and Jordan Rudess (keyboards, continuum, wizardly noises &
seaboard) are surely a match made in heaven for all of the progressive
rock freaks, particularly those who appreciate instrumental flourishes.
So we have LMR
the deluxe edition. For those familiar with the prog community none of
these incredible talents needs an introduction. For those that may not
be, Levin has played with everyone that has graced a studio it seems
including John Lennon and Peter Gabriel, Rudess has a well-known
playground called Dream Theater to perform his magic and a prolific solo
career, Minnemann has been with several bands and has been popping up
everywhere lately and most recently on tour with Joe Satriani (which I
had the great pleasure of witnessing recently). Rudess is a genius with
anything related to the keyboards, Minnemann is an absolute juggernaut
on percussion and Levin can make his Chapman Stick sound like a bass or a
guitar. This unique blend of power and preciseness is the perfect
recipe for this type of music. The pace of this album varies from
frenetic to soothing and tasteful. Every track goes through each cycle
with relative ease.
There are 14 tracks and more goodies on this deluxe edition including a
DVD that features 24 bit wav files, a video of Tony and Jordan jamming
in studio, an interview with Marco and a Tony & Jordan interview,
and then outtakes/additional footage and early home demos by Marco. The
entire lot of additional product is of great interest and very
entertaining. It is well worth dropping the additional dollars to get a
copy. I found the video of Tony and Jordan jamming, what looks to be
like in Jordan’s living room, most enjoyable. The main CD brings it home
with tracks like the rollicking and driving opener “Marcopolis” to the
space age funky “Twitch.” There is a constant flow of great sights and
sounds for your entertainment.
The thing about these three
musicians is their eclectic backgrounds and how that translated in the
studio into what you will hear on this project. All three have played
together at one time or another so the chemistry and familiarity was
already in place. The fusion of sounds created is put simply,
astounding. I think you need to see each one of these guys live to
really appreciate their masterful musicianship. Of course the studio
work is amazing however to truly feel it in your bones you must see them
live. The only one I have not witnessed in a live performance yet is
Levin. It will happen eventually I am sure but in the meantime it was
time for me to take a deep dive into this complex world of instrumental
progressive rock fusion.
This trio makes your
involvement in this intense ride through an instrumental wall of sound
easy, well that is if you are into this kind of journey. For this
listener the more complex and intense the music is the better. You see
this way I can empty my brain and let the music do all the talking. I
found out very quickly how much all this music had to offer (or say).
There are some heavy moments throughout…jazz fusion passages, some
classical touches that make it sheer beauty, which you always hear with
Rudess on the keys, then some flat out rocking sections followed by some
softer moments that morph into musical workouts. I find it hard to
comprehend how it all comes together. But then again that is the beauty
and magic of this combination of great talent. Another good point is
that this never becomes cacophony, which can happen when musicians of
this caliber get together. They are working from a different place all
together that most people or other musicians for that matter, will never
understand but nevertheless accept as the norm.
As always I have to wonder how
they come up with the titles of the tracks however if you listen to it
all enough you may find a reason to understand why. Don’t look to me for
answers; I just love all the music and leave that thought process to
all the anal prog snobs always looking for something to complain about.
Each track is a standalone
masterpiece and I have a very difficult time picking out any one track
as being better than the other. Thanks for making that part of my job so
difficult LMR. This is one killer mind blowing set of instrumental
brilliance.
Key of Tracks: ALL
Keith “MuzikMan” Hannaleck-Founder MuzikReviews.com
October 22, 2013
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