Release Date: April
19, 2014
Label: Magna
Carta
Terry Bozzio (Drums and Electronic Tape Loops), Tony
Levin (Basses and Stick) and Steve Stevens (All Guitars) released their first
album under the Bozzio Levin Stevens banner for Magna Carta Records in 1998. Black Light Syndrome hit the shelves and
it was an instrumental gem that still holds up well to this day. Up to this
point the release had not be reproduced on vinyl. Thanks to record store day
that has changed the playing field for collectors and music lovers considerably.
Black
Light Syndrome is now available in 180 gram vinyl with 600
copies pressed in the UK on royal blue translucent vinyl and only 400 copies in
the US on blood red/black splattered translucent vinyl. I have the blood red
copy and it looks amazing. The album comes housed in a gatefold LP jacket with
two LPs. It is in my estimation one of the crown jewels of progressive
instrumental rock fusion.
This album holds a special place in my heart and
collection. Magna Carta was the first label to approach me about covering music
for review in 1998 and this is the first album I reviewed. I was mesmerized by
it then and it started my journey into progressive rock that continues to this
day. I was ready for it at the time as I had been listening to jazz and jazz
rock fusion for 15 years prior to jumping headlong into prog. This album was the
perfect listening experience for my ears at the time and it pushed me to
explore progressive music further.
This may have seemed to be an unlikely trio at the time
however it turned out to be the right chemistry and talent to get this project
done successfully. Tony Levin and Terry Bozzio already had a musical pedigree
to die for and little did people know at the time how diverse and talented
Steve Stevens was and they were about to find out.
Stevens wows the listener continually by flipping back
and forth from rocking and complex playing (“Falling In Circle”) to acoustic
flamenco style (“Duende”). His diverse playing style meshes well with Levin’s
bass and Chapman stick while Bozzio sounds like an orchestra of drums creating
a wall of sound that could easily be more than one person if you didn’t know
better. The diversity of the overall recording and the musicians involved make
this a session that would be hard to match. “Chaos/Control” is the curtain
closer and perhaps the best example of how this trio could jump from shredding
(chaos) to jazz inflected passages (control) all in one track.
I have not listened to this album in quite some time now
and my perception of it is much different now and I think the appreciation I
have for what they accomplished in these sessions goes beyond what words can
say at this point. The music still transports me and amazes me just like it did
the first time I heard it.
I really appreciate vinyl, especially copies that come
out on record store day as a limited run. It makes it all so special if you
have a copy but for me I have the joy of reliving my exhilarating experience of
my first listen and first label review all over again. It is a treat now and it
always will be listening to these incredibly talented men taking it all to
another level. Thank you Magna Carta for reissuing Black Light Syndrome in such fantastic way to celebrate it one more
time in glorious vinyl!
5/5
Stars
Key
Tracks: Black Light Syndrome, Book of Hours, Chaos/Control
Tracks:
Side One:
The Sun Road
Side Two:
Dark Corners
Duende
Side Three:
Black Light Syndrome
Falling In Circle
Side Four:
Book of Hours
Chaos/Control
Side One:
The Sun Road
Side Two:
Dark Corners
Duende
Side Three:
Black Light Syndrome
Falling In Circle
Side Four:
Book of Hours
Chaos/Control
Keith “MuzikMan” Hannaleck-Prog Rock Music Talk Founder
June 2, 2014
Review
Provided By Prog Rock Music Talk
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